US/ RU: 3-7 days delivery EU/ AU: 3-10 days delivery JP: 2-3 days delivery . Shiping Worldwide 200+ Country 7-10 days delivery.
. If the local warehouse out stock, we will send the email inform to you that local warehouse estimated in stock date. According to the customer needs, you can choose the wait the local warehouse in stock or shipment from the China at once.
【Package Include】1× Mini/ Micro HDMI to HDMI Cable, 1× Tilt Arm, 1× Disassemble Wrench, 1× Manual 【Note: battery and power adapter not include, power adapter need purchase: 12V 3A】.
Ideal Filming Crew, Director, AC and DP Monitor Easy monitoring and focus, flexible mobility on set The LUT7S PRO equips filmmakers with the benefits of a large on-camera display without making the camera set up feel cumbersome. FEELWORLD LUT7S PRO is packed with high end monitoring features in a small, lightweight package that can be connected to virtually any camera. The front features a large high resolution, daylight viewable LCD touchscreen, there are video connections on the bottom and SD card slot on the side. There are an F970 battery plate and an install/ like wireless transmitter, LED light and others which equipped with Sony F970 battery plate. The outer frame features standard ¼" mount points on the bottom, left and right for attaching it to cameras and rigs. This design detail makes the LUT7S PRO easy to attach to a camera and easy to share with a team member or client on set.
Easy to See, Easy to Power The ideal choice for the director Many times when you want to use wireless video transmission, you always do not know where to put it on the monitor. With the F970 external install and power kit, it not only solves this problem, but also can be powered it by Sony F970 battery. The most important is that make to combining the monitor and wireless transmission to together, it convenient the director and photographer for monitoring, and improve the efficiency of the film crew shooting.
High Resolution, More Detail In Field Shooting Viewing clearly and capture every detail The FEELWORLD LUT7S PRO enables clear and precise field monitoring and image analysis during daytime shoots. It displays your stills and monitoring content at superior color fidelity and 1920 x 1200 maximum resolution on a 7-inch display. The panel is made of optically bonded glass with an anti-reflective coating, which allows comfortable daytime field monitoring. But what really sets it apart is its light-emitting diode (LED) backlighting, which outputs a brightness of 2200 nits and displays a 1200:1 contrast ratio and sRGB / Rec.709 Color Gamut, resulting in exceptional screen clarity even in intense lighting conditions. With the monitor displaying your content at 323 pixels per inch (PPI), you can shoot in broad daylight with confidence and refine your content on the spot. The wide 160º viewing angle makes it easy for multiple members of the crew to watch it at the same time.
Ture Color. Professional Color Calibration Use Rec.709 color standard FEELWORLD uses the professional Rec.709 HD color standard, and uses the color calibration technology, with the professional instrument calibration at the factory, it can achieve monitor calibration efficiently and get accurate color reproduction easily, do not distort the color, show the real image when you shooting video.
Accurate Color Reproduction FEELWORLD monitor support ITU standards and HD video Rec.709 standard consistent color space, advanced image processing technology, so that the image clearly presented, the color is extremely natural, to ensure accurate color reproduction, to reproduce the physical nature of shooting, enabling users to accurately evaluate the quality of various input video signals.
HDR Monitoring What you see is what you get LUT7S PRO has built-in HLG 2020, HLG 709, HLG P3 HDR 3D LUT, and Rec709 De-slog3 LUTs, includes SLOG2, SLOG3, LOGC, VLOG. The monitor can display an HDR (high dynamic range) signal for incredible clarity and detail, simplify the complexities of shooting Log and HDR, helping you to replicate post-production workflows at the moment when it matters most–while shooting.
Accurate waveform monitoring
Save your budget When you need to analyze image quality more accurately than simply looking at the picture then use LUT7S PRO's built in waveform monitoring! Choose from waveform (RGB Parade, YUV Parade, Y Parade), vectorscope, histogram and audio phase and level displays, and get broadcast accurate waveform monitoring that shows everything you need to know technically about your video and audio signals. The functions can be opened separately, and also support one key to open all scope mode. LUT7S PRO is perfect for live production monitoring and removes the need for separate expensive scopes!
Connect to Consumer or DSLR Camera With both 3G-SDI and 4K HDMI inputs, you can connect it to any consumer cameras or broadcast cameras or even DSLR cameras. You also get loop thru outputs, so you can display live video or expand display on external screens or projectors with embedded audio. You can also monitor audio using the 3.5mm stereo headphone jack . For power, there’s a 12V DC input and one NP-F battery slot.
4K HDMI Loop-out The LUT7S PRO has 3G-SDI, 4K HDMI in and loop-out, allowing it to not only display live signals, but also send them out to other monitors simultaneously. It's the ability to display live picture on multiple displays at once while still maintaining the original video quality.
Connect to Wireless Transmitter Transmission to film crew director monitoring at the same time. Without the cable more flexible to transition between scenes effortlessly for outdoor shooting.
Connect to Director Monitor Display live picture on multiple displays simultaneously.
Convenient Mounting - Tilt Arm Every LUT7 PRO monitor will ship with a cold shoe mounted Tilt Arm. Shooters will have a secure way to position their monitor while maintaining a low profile. • The LUT7S PRO monitor can be rotated 360 degree with two different ways, for viewing convenience. (1.The monitor can be rotated 360 degree from up to down through the side mounting point of tilt arm; 2. The monitor can be rotated 360 degree from left to right through the bottom mounting point of tilt arm). • Secure and lightweight mounting via shoe mount or 1/4"-20 thread. • Includes a shoe mount of its own for accessories like a microphone, LED light, or wireless receiver, etc. •There are two small dots on the tilt arm, which are aligned with the monitor for installation, the connection is more stable, just grab the monitor to rotate without loosening the screws.
Flexible Mount on Cameras, Director Movie Carts or Hang It Anywhere The standard sized mounting points make it easy to mount and are compatible with third party rigging equipment. There are 3 mounting points located on the bottom, left and right. Using the bottom 1⁄4 inch hole, you can securely attach it to the top of your camera as the ultimate viewfinder! The 1⁄4-inch holes on the left and right sides can be mounted on other equipment with magic arm, bracket, etc., for the entire crew to monitor the screen.
1× Mini/ Micro HDMI to HDMI Cable 1× Tilt Arm 1× Disassemble Wrench 1× Manual
Video Assist Functions
* Support 3D LUT Log to Rec.709, user 3D LUT Upload * Support Touch Menu * Parade (RGB, YUV, Y) * All Waves * Vector * RGB Histogram * Brightness Histogram * Embedded Audio * Peaking Focus (red, green, blue, white, yellow five peaking colors optional; 1~10 peaking level adjustable) * False Colors * Zebra Exposure (1%~100% adjustable) * Check Field (Red, Green, Blue, Gray) * Scan Mode (Under Scan, Over Scan) * Anamorphic Mode (1.25x, 1.33x, 1.5x, 2.0x, 2.0x mag) * Image Flip (H, V, H/V) * Image Freeze * Center Marker * Safety Marker (70%, 80%, 90%, 16:9, 16:10, 4:3, 5:4, 1.85:1, 2.35:1) * Ratio Marker (16:9, 16:10, 4:3, 1.85:1, 2.35:1) * Marker Color (red, green, blue, white, black, yellow) * Color Temperature Adjustment * Nine Grid * Zoom (100%~300%) * Aspect Ratio * Pixel to Pixel
User LUT Cube Import
Provides S-log2/3, V-log, Log-C etc, to convert log mode to REC709 for all major cameras. The LUT loading function makes the color calibration work of the previous shooting easier and more intuitive, optimizes the workflow and improves work efficiency. User creative 3D LUT cube or calibration 3D LUT cube can be uploaded to monitor by SD card.
Video Analysis Assistant Pattern Waveform / Vector scope / Histogram
Waveform This essential feature assists with the calibration of professional video cameras. It shows the overall brightness of the image assisting the video professional in correcting exposure. The waveform feature also checks the evenness of the lighting when lighting a chromakey or background.
Vectorscope Vector scope shows how saturated the image is and where the pixels in the image land on the color spectrum. It can also be displayed in various sizes & positions, that allows users to monitor color gamut range in real time.
Brightness Histogram The Brightness Histogram is a quantitative tool to check the picture brightness.The feature shows the distribution of brightness in an image as graph of brightness along the horizontal axis (Left:Dark, Right:Bright)and a stack of the number of pixels at each level of brightness along the vertical axis.
RGB Histogram RGB histogram is a graphical display of the distribution of tones, shows the Red, Green and Blue channels histograms. Suitable for HD-SDI and HDMI signal monitoring.
All Scopes Mode This mode shrinks your video image to approximately the size of a 7" display and tiles your choice of waveform, vectorscope, histogram, and embedded audio on the border of your video.
Audio Meter Monitoring The Audio Level Meters provide numerical indicators and headroom levels. It can generate accurate audio level displays to prevent errors during monitoring. Under SDI audio, it supports 4-ch embedded audio meters display. Under HDMI audio, only 2 channels audio displays are supported..
Peaking Focus Assist The Peaking Filter is used to aid the camera operator in obtaining the sharpest possible picture. When activated, the internal processor will display a colored highlight on the screen where sharp edges appear. You can switch the peaking color between yellow, red, green, blue, white according to different tone of the subject. The focus level can be adjusted from 1 to 10 levels.
False Colors The False Color filter is used to aid in the setting of camera exposure. As the camera Iris is adjusted, elements of the image will change color based on the luminance or brightness values. This enables proper exposure to be achieved without the use of costly, complicated external test equipment.
Exposure (zebras) The Exposure is used to assist in exposure adjustment in the mode of Zebra Pattern. It is considered overexposed and displays the moving warning lines onto the over exposed areas. There is a 1%-100% zebra value that can be adjusted.
Check Field Check Field is an assistant function to adjust camera color settings. Under the check field mode, you can use red, green, blue or gray pixels to generate the image, because hue and saturation can be adjusted more quickly and accurately in this environment.
Zoom In (100%～300%) Image magnification is HD signal in any part, an amplification for high quality close-up. The touch panel can help you zoom in quickly, zoom out and move the image after zooming in.
Anamorphic Mode Built-in selection of no squeeze, 1.25x, 1.33x, 1.5x, 2.0x or 2.0x mag allows you to use anamorphic lenses or adapters and see the image unsqueezed, even if your camera does not de-squeeze in camera.
Image Flip Image flip is to flip the image horizontally, vertically, and horizontally/vertically. Simultaneously turning on the horizontally flip and the vertical flip can achieve horizontal/vertical simultaneous flipping.
Nine Grid Nine grid is the most common and basic composition method. The area of the picture is divided into nine equal grids.
Pixel to Pixel Enable the filmmaker to check the image from the 1:1 signal source without scaling.This feature is essential for capturing optimum detail.
Center Marker & Safe Marker Safety Marker for View Finding and Composition (70%, 80%, 90%, 16:9, 16:10, 4:3, 5:4, 1.85:1, 2.35:1). You can switch the Mark color between Yellow, Red, Green, Blue, White and Black according to different tone of the subject.
Ratio Marker There are a variety of ratio marker (16:9, 16:10, 4:3, 1.85:1, 2.35:1); the transparency of the ratio marker has 4 display effects optional (0%, 25%, 50%, 75%). You can switch the marker colors between yellow, red, green, blue, white and black according to different tone of the subject.
Screen Size:7" IPS
Resolution: 1920x1200 pixels
Pixel Pitch: 0.07875 (H) x 0.07875 (W) (mm)
Aspect Ratio: 16:10
Brightness: 2200cd/m² (Light Sensor)
Contrast Ratio: 1200:1
Viewing Angle: 80°/80°(L/R) 80°/80°(U/D)
Input: 1 X 4K HDMI, 1 X 3G-SDI
Output: 1X 4K HDMI, 1 X 3G-SDI, DC Output ( Barrel (3.5mm outer, 1.1mm inner) barrel output for powering cameras via camera specific adaptor)
Compatible Battery: Sony F970, F960, F950,F930, F770, F750, F730, F570, F550, F530, QM91D, QM91, QM90D, QM90, QM71D, QM71, QM70D, QM70, QM51D, QM51, FM71, FM70 series. Because the FEELWORLD LUT7 PRO monitor is the ultra bright, we recommend use Sony F970 battery, F970 batteries (7.4V 6600mah), the monitor can working about 3 hours.
(Note battery not include, need purchase separate)