Broadcast  monitors is very necessary when you want to ensure that a broadcast production meets your quality standards.

When you are viewing video output through a monitor, it can show important information at a quick glance and verify the camera’s in-focus and recording properly.

Our monitors can also handle both HDMI and SDI and more resolutions to accommodate any production equipment, which means it support differen input and output.

They also include advanced features including such as over scan, camera mode, waveform for determining exposure levels, image freeze and flip, custom zoom,vectorscope for calibrations and 3D LUTs for viewing raw footages and more functions.

How to choose a broadcast monitor?

At first, why do you need a broadcast monitor?What are you going to use it for?What you want from it?Here we have differen kinds of broadcast monitor that you may interested in:monitors for live streaming, easy to carry with, can be used in different situations.

You may also consider about these and more fuctions when you purchase.The size, 3D Lut, Image freeze, Zoom, standalone or rackmountable, Multiple input signals and formats supported on each monitor – SDI, HDMI, Composite, Component etc.

New product-1000nit High Brightness

Do you often shoot projects outdoors? Can you still see the monitor screen image under direct sunlight? To solve this problem, we have newly launched 1000 brightness high brightness broadcast monitor P133 PRO, P215 PRO, which is clearly visible under sunlight and suitable for outdoor shooting.

The P215 PRO-CO redefines portability with a full aluminum alloy frame combined with a sturdy shell, which not only provides sturdy protection for the monitor, but also weighs only about 4.8kg and has a thickness of 11.5cm, making it very portable.

 Convenient waterproof case with 1000nit high brightness

The monitor is indispensable for location shooting, and the equipment is frequently moved outside in the wind and sun. At this time, the need for lightweight, waterproof, dustproof, heat-resistant monitor to meet the SEETEC WPC215 can do, the important thing is that the panel and PP alloy protective box as one, in the face of a variety of harsh shooting environment, it can easily win.

17.3” Different mounting

P173-9HSD monitor comes with a U-bracket that features three standard ¼” mounting holes, making it easy to accomplish all types of installations and compatible with third-party gear. You can attach an odd hand to hang it from other gear or mount it on a camera stand for the entire crew to monitor the picture as an aid, or place it on a workbench for monitoring.

P173-9HSD-RM rack mount, with its slim body and 7 RU design makes it easy to integrate into a studio or post-production rack mount setup.

P173-9HSD-CO Innovative design of portable aircraft aluminum case, carefully designed for location shooting.

Rack Mount Monitor

Rack Mount monitor is the perfect professional monitor for any broadcast facility, mobile broadcast truck or even fly kit,can be rack-mounted but also wall-mounted installation.

As rack mount LCD monitors usually in a continuous working condition, all components including LCD panel must be accordance with industrial quality standard.

The full aluminum alloy frame not only make the device more solid and durable, but also solve the problem of heat dissipation. The equipped cast iron hand grips, easy to hold.

Rack Mount Monitor is easy to install and disassemble, and can be applied in different scenarios.If you and your crew need to filming at different places, don't miss it.

Carry-On Monitor

Time and Costs are important for film crews, director, studio. This becomes more obvious if there are frequent scene changes during production.

The Carry-On monitor is based on how monitors are being used by film crews. Whether packing down or setting up a simplified design makes this monitor ready for use quickly.

There are no complex setup processes to go through. This innovative design portable aviation aluminum case making it well suited for field production and handling to change the environments with speed. 

Suitable for the strict location shooting
.Carry-on Aluminium Case (hand-held for easy carry); 
.Easy for dissemble (front and rear cover disassemble easy for screen image monitoring and signal connection).
.Front and rear covers for quick assemble and disassemble, speed the frequent switch between scenes, save the time of preparation the photographic equipments, so that get into work fastly!

Carry-On Monitor is easy to carry with, suitable for director, crew and studio.Can be taking out and  work outdoors.

The Live Streaming Monitor

For live streming, when you are busy at the shooting scene, you need to be able to easily control the equipment, ATEM156 and ATEM156-CO can meet your needs. They are equipped with a simple control panel, , allowing you to be comfortable in the shooting process.

When your switcher does not have a multiview function, such as ATEM Mini, then you may need an ATEM156.

When doing larger live productions with multiple cameras, you can first connect the camera to the ATEM156 monitor, check the shooting images of each camera on the ATEM156 monitor, and then put them to air, so you don't have to worry about the broadcast content.

Help you preview the image and avoid the "blind cut" channel status.

 The difference between ATEM156 and ATEM156-CO is whether there is a shell or not, sure that it's easier to carry with if it has a shell.They are built for live streaming,if you are looking for a live streaming monitor, don't miss them, you can click to learn more:ATEM156, ATEM156-CO

4 SDI Input and Output Monitor

It equipped with 4x3G-SDI inputs and outputs, 1 x HDMI input interface and RS485, GPI control interface. Adopts Rec.709 color standard, display vivid images and professional effects.  It is an ideal monitor for live production, broadcast and post-production!

4K Screen Broadcast Monitor

4K156-9HSD is the Ultra HD broadcast monitor with 4x4K HDMI input, 3G-SDI input/ loop out for native display up to 2160p60.

You get a professional broadcast monitor that supports the latest Ultra HD 3840x2160 resolutions, bring unbeatable image clarity in cinematic display.

Post Production Monitor

Broadcast quality, allows you to see every pixel

We uses the professional Rec.709 HD color standard, and uses the color calibration technology, with the professional instrument calibration at the factory, it can achieve monitor calibration efficiently and get accurate color reproduction easily, do not distort the color, show the real image when you shooting video.

User 3DLUT cube upload
The monitor has built-in multi camera logs to Rec 709 conversion 3DLUTs, including C-log standard, C-log full, S-log2, S-log3, BMD-4Klog.
Support user 3DLUT cube files (support 17x17x17, 33x33x33, 65x65x65) to upload by USB, which is convenient for color creation during post-production monitoring. User can store up to 16 instantly selectable 3D LUTs.

• GPI controls Red Tally and Green Tally, which not only can remind the photographer to enter the recording state, but also appreciate the convenience of TV shooting quasi-professional technology in your creation.

With so many and more fuctions, Lut215 is the best choice for post production, you can click to learn more:Lut215.

 If you are looking for on camera monitor, and you can find it here.

 If you wan to purchase a video switcher, you can click here to know more.

Hope it can help you choose the broadcast monitor suits you.

If you have any question, feel free contact us, we glad to help you.

You can contact us via the email: lean@feelworld.cn