Custom Shortcut Keys
On the top of LUT11S comes with three custom shortcut buttons , the photographer can set the shortcut functions in advance according to the actual needs of the shooting site, and quickly call up the required functions during the shooting process, greatly improving the shooting efficiency.
Full Touch Screen Design
Easy and sensitive operation, make your filming more efficiency
The innovative touch screen LCD user interface provides incredible control. You can use simple tap and swipe gestures for the important monitoring functions without buttons. Plus, you can also operate via scroll wheel key.
Touch Screen Operating Instruction
1. When the monitor and touch are both on, continuously click the screen twice to enter the main menu.
2. Swipe up from the bottom of the screen to open the shortcut menu and click on the corresponding menu to open or set the corresponding function. Double-click the shortcut menu function and select the function setting with the "<" or ">" key.
3. On the left side of the screen (1/2 split screen), you can directly adjust the brightness of the screen backlight; on the right side of the screen (1/2 split screen), you can directly adjust the volume.
4. Click any space beside the menu to exit.
Innovative External Install and Power Design
Simplify your photography equipment
A Sony F970 external install and power kit design is added to the back of the monitor. The external kit can be used to install and install the external equipment, like wireless transmission, LED light, video converter and others that can be powered by a Sony F970 battery. This innovative external power supply design meets the need to power for external wireless transmission, LED light and other equipment, greatly saving the space occupied by the equipment and reducing the weight of photography equipment.
The kit has two cross slots, you can adjust the position of the external device by loosening the screws. When you don't need the kit, you can directly loosen the screws to remove the kit.
SDI+Dual HDMI, More Interfaces SelectionCompatible with movie cameras, DSLR cameras SDI perfect for the movie cameras, dual HDMI signal inputs are easily matched with SLR camera and one output, support up to 4K@60Hz, which is transmitting without loss and the screen is more smooth and clear. And provides 3.5mm headphone jack to monitor audio.
Note: HDMI1 input default to loop-out from HDMI1 output, HDMI2 can’t loop-out
DC Power SupplyPower your DSLR or mirrorless cameraThe LUT11S is not only equipped with DC IN 12V (suit for use 12/3A adapter), but also provides auxiliary power out (DC OUT 8V) allowing shooters to power their cameras. With a battery adapter cable (Optional), the LUT11S extends camera run-time, while providing a more usable display.Barrel output for powering your camera with a separately available DC coupler via adaptor (NP-FW50 Sony & LP-E6 Canon & DMW-BLF19 Panasonic). More adapters coming soon.
Note: since different brands and models of cameras require different power for normal operation, the camera may not be able to take pictures or video normally. Therefore, when using batteries to power the monitor, in order to use the camera normally, it is recommended to use a large-capacity fully charged battery.
Dual Battery Plates
Long-lasting power for outdoor shooting
The rear of monitor of LUT11S have dual battery plates, can install two standard NP-F batteries, long-lasting power for your screen. In addition, you can switch the battery quickly, just double tap the battery icon on the upper right corner of the monitor about 3 seconds to finish the switching, and don’t worry interrupting monitoring. Install one F970 battery (6600mah) last for about 2 hours, and install two F970 batteries last for about 3.5-4 hours. You can choose install 1 or 2 battery base on your need.
● Compatible Sony NP-F Battery: F970 F960 F950 F930 F770 F750 F730 F570 F550 F530 series (Note: the battery not including, please purchase separately. Higher capability (working time) will be longer)
Smarter Tools for Absolute Precision
Our flexible OS is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (waveform, RGB parade, vectorscope, RGB histogram, histogram, embedded audio, focus peaking, zoom, zebra, false color, safe frames, etc.) as well as a flexible 3D LUT implementation (use built-in LOG to Rec.709 video or upload .cube files) and options for anamorphic de-squeeze monitoring.
Load Custom 3D LUTs，Preview Filming Look in Field Shooting
Support to load 50 custom LUTs
The LUT loading function makes the color calibration easier and more intuitive, optimizes the workflow and improves the work efficiency in the early stage of shooting. You could use built-in LOG or upload .cube files. LUT11S allows you to load internally up to 50 custom LUTs, looks or profiles at any time via the SD Card Slot and instantly select between them, maintaining creative intent, always
3G-SDI Supports 3D-LUT Loopout
The LUT11S supports 3G-SDI signal LUT loop-out function, which can output custom LUT image to other displays, so the director and photographer can see the images with LUT at the same time. When the signal is SDI, and you need to use this function, just turn on "LUT Switch" and "SDI Out (LUT)" on the menu.
What you see is what you get
LUT11S supports HDR (high dynamic range) monitoring, for incredible clarity and detail, simplifies the complexities of shooting Log and HDR, helping you to replicate post-production workflows at the moment when it matters most–while shooting. When the HDR function is turned on, you can select Gamma and Gamut corresponding to the camera Sony, Canon, Panasonic, Fujifilm, Bolex, RED, ARRI.
Accurate waveform monitoring
Save your budget
When you need to analyze image quality more accurately than simply looking at the picture then use LUT11S's built in waveform monitoring! Choose from waveform (RGB Parade, YUV Parade, Y Parade), vector, histogram, audio phase and level displays, and get broadcast accurate waveform monitoring that shows everything you need to know technically about your video and audio signals. The functions can be opened separately, and also support one key to open all scope mode. LUT11S becomes the ideal choice for live production monitoring, so you no longer need to use a separate expensive scopes!
Three Colors Tally Indicator
Strengthen the cooperation between the cameraman and the director
There is a rear TALLY light with 3 colors （green, red, yellow）display, and controlled via DB-9 ports at the bottom of the monitor.
Multiple Installation Methods
Meet your diverse need of monitoring
The monitor is equipped with 3 standard 1/4”mounting threads (bottom, right, left side), you can easily mount it on the camera or other types of equipment with a magic arm, bracket, etc.. Whether it is horizontal or vertical shooting, you can accurately monitor.
* 10.1-inch 1920x1200 full HD IPS screen
* Touch screen menu operation, improve shooting efficiency
* Ultra-bright 2000nit, clearly visible in the sun
* Light sensor auto dimming
* Supports 3D LUT Log to REC.709 and user 3D LUT upload (up to 50)
* Supports HDR monitoring, what you see is what you get
* Dual HDMI inputs support up to 4K@60Hz
* Sony F970 external install and power kit design can be used to install and supply power to external equipment, easy to install and disassemble, simplify your photography equipment
* With Waveform, Vectorscope, RGB Histogram, Focus Assist, Monochrome etc. functions, can help you accurately exposure and focus every shot.
* Built-in Tally Indicators (Red, Green, Yellow)
* Stereo Earphone output
* DC 8V power out to power your DSLR camera or mirrorless camera
User LUT Cube Import
Provides S-log2/3, V-log, Log-C etc, to convert log mode to REC709 for all major cameras. The LUT loading function makes the color calibration work of the previous shooting easier and more intuitive, optimizes the workflow and improves work efficiency. User creative 3D LUT cube or calibration 3D LUT cube can be uploaded to monitor by SD card.
Video Analysis Assistant Pattern
Waveform / Vector scope / Histogram
This essential feature assists with the calibration of professional video cameras. It shows the overall brightness of the image assisting the video professional in correcting exposure. The waveform feature also checks the evenness of the lighting when lighting a chromakey or background.
Vector scope shows how saturated the image is and where the pixels in the image land on the color spectrum. It can also be displayed in various sizes & positions, that allows users to monitor color gamut range in real time.
The Brightness Histogram is a quantitative tool to check the picture brightness.The feature shows the distribution of brightness in an image as graph of brightness along the horizontal axis (Left:Dark, Right:Bright)and a stack of the number of pixels at each level of brightness along the vertical axis.
RGB histogram is a graphical display of the distribution of tones, shows the Red, Green and Blue channels histograms. Suitable for HD-SDI and HDMI signal monitoring.
All Scopes Mode
This mode shrinks your video image to approximately the size of a 10.1" display and tiles your choice of waveform, vectorscope, histogram, and embedded audio on the border of your video.
Audio Meter Monitoring
The Audio Level Meters provide numerical indicators and headroom levels. It can generate accurate audio level displays to prevent errors during monitoring. Under SDI audio, it supports 4-ch embedded audio meters display. Under HDMI audio, only 2 channels audio displays are supported..
Peaking Focus Assist
The Peaking Filter is used to aid the camera operator in obtaining the sharpest possible picture. When activated, the internal processor will display a colored highlight on the screen where sharp edges appear. You can switch the peaking color between yellow, red, green, blue, white according to different tone of the subject. The focus level can be adjusted from 1 to 10 levels.
The False Color filter is used to aid in the setting of camera exposure. As the camera Iris is adjusted, elements of the image will change color based on the luminance or brightness values. This enables proper exposure to be achieved without the use of costly, complicated external test equipment.
The Exposure is used to assist in exposure adjustment in the mode of Zebra Pattern. It is considered overexposed and displays the moving warning lines onto the over exposed areas. There is a 1%-100% zebra value that can be adjusted.
Check Field is an assistant function to adjust camera color settings. Under the check field mode, you can use red, green, blue or gray pixels to generate the image, because hue and saturation can be adjusted more quickly and accurately in this environment.
Zoom In (100%～500%)
Image magnification is HD signal in any part, an amplification for high quality close-up. The touch panel can help you zoom in quickly, zoom out and move the image after zooming in.
Built-in selection of no squeeze, 1.25x, 1.33x, 1.5x, 1.6x, 1.8x, 2.0x, 2.0x mag allows you to use anamorphic lenses or adapters and see the image unsqueezed, even if your camera does not de-squeeze in camera.
Image flip is to flip the image horizontally, vertically, and horizontally/vertically. Simultaneously turning on the horizontally flip and the vertical flip can achieve horizontal/vertical simultaneous flipping.
Nine grid is the most common and basic composition method. The area of the picture is divided into nine equal grids.
Pixel to Pixel
Enable the filmmaker to check the image from the 1:1 signal source without scaling.This feature is essential for capturing optimum detail.
Center Marker & Safety Marker
Safety Marker for View Finding and Composition (70%, 80%, 90%, 16:9, 16:10, 4:3, 5:4, 1:1, 1.91:1.1, 4:5, 9:16, 1.85:1, 2.35:1). You can switch the Mark color between Yellow, Red, Green, Blue, White and Black according to different tone of the subject.
There are a variety of ratio marker (16:9, 16:10, 4:3, 1.85:1, 2.35:1); the transparency of the ratio marker has 4 display effects optional (0%, 25%, 50%, 75%). You can switch the marker colors between yellow, red, green, blue, white and black according to different tone of the subject.