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Ideal for Shooting Outside 【2200nit High Brightness Meet Sunlight Challenge】with its 2200 cd/m2 bright backlight, overcomes this environmental difficulty, and delivers a crisp image without the bulk and viewing angle restrictions of a sun hood. 【Ideal for Pulling Focus from An HD or 4K Signal】With 1920x1200 resolution, impressive 323 PPI, 1200:1 high contrast, IPS 160 degree viewing angle, Rec.709 professional color calibration to provide a sharp image, ideal for focus pulling and image analysis on set and in the field. 【Wide Compatible for Any Camera】Includes 4K HDMI. The HDMI connection is compatible up to 4Kp30. You can monitor audio using the 3.5mm stereo headphone jack, or the built in speaker. 【Lightweight Design, Easy to Mount】Compact size and 365g lightweight design are perfect for Steadicam, DSLR rig, Camcorder Kit, Handheld Stabilizer, and Video Camera Crane. The VESA 75 mounting holes set in the back to attach the monitor to a sturdier mount if needed. 【Create The Wonderful Shots】Two custom shortcuts can be set as common functions. The professional features are extremely helpful to your filming, like Focus Assist, Histogram, False Colors, Exposure, Aspect Ratio, Image Flip, Nine Grid, Zoom, Anamorphic, Image Flip, Safe Area, etc.
True Color · Professional Color Calibration Use Rec.709 color standard Accurate color reproduction
Intuitive Controls and Menus The menu controls are intuitive and easy to use. On the top of the monitor, you'll get the full button layout. Two different feature buttons which are programmable to the various features that you use the most. Maybe you could set one of the shortcut keys to the image flip function so that the screen can be flipped over quickly when shooting upside down. The monitor will automatically save the parameters you have previously set, and keep the original settings when you turn it on next time. It does not need to be reset, which is convenient and simple.
4K HDMI Loop-out The FW279 has 4K HDMI in and loop-out, allowing it to not only display live signals, but also send them out to other monitors simultaneously. It's the ability to display live picture on multiple displays at once while still maintaining the original video quality.
Connect to Wireless Transmitter Transmission to film crew director monitoring at the same time. Without the cable more flexible to transition between scenes effortlessly for outdoor shooting.
Continuous Power Plug it in or go mobile For power, there's a 12V DC input and a F970 battery plate (standard). You could connect the 12V DC input you get continuous power or you can run it off of Sony compatible F970 rechargeable batteries. You can also choose D28S/D54, LP-E6 or U60 battery plate to install other different types of batteries for power supply. Note: When you turn off the monitor, you need to press the power button, and you can't pull out the power cable directly. Since the FW279 is a high-brightness monitor, use a DC7-24V output with a power supply greater than 18W, such as a 12V/2A power adapter.
Standard Accessories 1× Mini HDMI Cable 1× Hot Shoe Mount 1× F970 Battery Plate 1× Operation Manual
Video Assist Functions
1. High Resolution: Full HD 1920x1200 2. High Contrast: 1200:1 3. Ultra Brightness: 2200cd/m² 4. 160°wide viewing angles IPS Panel 5. Ultra thin design 25mm thickness 6. Histogram 7. Peaking Focus Assist (Red,Green,Blue three colors optional highlight over parts of the image in focus) 8. False Colors 9. Zebra Exposure 10. Nine Grid 11. Embedded Audio 12. Scan Mode (Under Scan, Over Scan) 13. Zoom (4x,9x,16x) 14. Anamorphic Mode (1.3x, 2.0x, 2.0x mag, User-defined adjustment: 1.20X~2.00X) 15. Pixel to Pixel 16. Center Marker 17. Safe Area (80%,85%,90%,93%,96%,2.35:1) 18. Ratio marker (4:3,13:9,14:9,15:9,16:9,1.85:1,2.35:1) 19. Marker Color (Red,Green,Blue,White,Black） 20. Check Field (Red/Green/Blue/Mono) 21. Image Flip (H, V, H/V) 22. Image Freeze 23. Zoom All (0~100 adjustable) 24. U/D & L/R Zoom (0~100 adjustable) 25. Color Temperature Adjustment
Brightness Histogram The Brightness Histogram is a quantitative tool to check the picture brightness.The feature shows the distribution of brightness in an image as graph of brightness along the horizontal axis (Left:Dark, Right:Bright)and a stack of the number of pixels at each level of brightness along the vertical axis.
Embedded Audio Monitoring The Audio Level Meters provide numerical indicators and headroom levels. It can generate accurate audio level displays to prevent errors during monitoring. The audio meter is green, and will turn yellow when exceeds -20dB, and turn red when exceeds -9dB.
Peaking Focus Assist The Peaking Filter is used to aid the camera operator in obtaining the sharpest possible picture. When activated, the internal processor will display a colored highlight on the screen where sharp edges appear. You can switch the putline color between red, green, blue according to different tone of the subject.
False Colors The False Colors filter is used to aid in the setting of camera exposure. As the camera Iris is adjusted, elements of the image will change color based on the luminance or brightness values. This enables proper exposure to be achieved without the use of costly, complicated external test equipment.
Exposure (zebras) The Exposure is used to assist in exposure adjustment in the mode of Zebra Pattern. It is considered overexposed and displays the moving warning lines onto the over exposed areas. 1-100IRE adjustable.
Check Field Check Field is an assistant function to adjust camera color settings. Under the check field mode, you can use red, green, blue or mono pixels to generate the image, because hue and saturation can be adjusted more quickly and accurately in this environment.
Zoom In (4X, 9X, 16X) Image magnification is HD signal in any part, an amplification for high quality close-up.
Anamorphic Mode (1.3x, 2.0x, 2.0x mag, User-defined adjustment: 1.20X~2.00X) Built-in selection of no squeeze, 1.3× or 2.0× allows you to use anamorphic lenses or adapters and see the image unsqueezed, even if your camera does not de-squeeze in camera. A 2.0× mag mode, magnifies the center of your image so you can check the focus of your scaled image.
Image Flip The Horizontal,Vertical and Hor&Ver of the image around flip.
Nine Grid Zoom one of the images to realize the full screen. You can switch the Mark color between Red, Green, Blue, White, Black according to different tone of the subject.
Pixel to Pixel Enable the filmmaker to check the image from the 1:1 signal source without scaling.This feature is essential for capturing optimum detail.
Center Marker & Safe Marker Safe Mark for View Finding and Composition (80%, 85%, 90%, 93%, 96%, 2.35:1). You can switch the Mark color between Red, Green, Blue, White and Black according to different tone of the subject.
Ratio Marker (4:3, 13:9, 14:9, 15:9, 16:9, 1.85:1, 2.35:1). Frame blanking zone includes 6 Levels, from 0-6 (Transparent to Black). You can switch the Mark color between red, green, blue, white and black according to different tone of the subject.